The Carleton College Voice commissioned four alumni artists to reinvent the get-out-the-vote poster in light of the November 2024 U.S. election.

Edited by Lesly Deschler Canossi and Zoraida Lopez-Diago, this book questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that impose a false narrative on her and her maternal ancestors.

Artists Seitu Jones and Ta‑coumba T. Aiken and poet Soyini Guyton cast the silhouettes of everyday Minnesotans into bronze and concrete at the Minneapolis Sculpture Garden.

In his solo exhibition at Law Warshaw Gallery, artist Jordan Weber explores the links between race, environment, and well-being.

Artist Heather Hart’s The Oracle of Epicure: Tooth for Tooth uses a recipe-exchange installation to honor and surface her family’s culinary legacy at Williams College, drawing directly from her great-grandfather Harry H. Hart’s 1951 cookbook.

Food-based artworks have audiences hungering for more.

In 2004, Bay Area conceptual artist April Banks traveled to West Africa, which produces seventy percent of the world's cocoa, to learn firsthand about the cocoa farms of the region and their relationship to the modern-day chocolate industry.

The internationally acclaimed artist Wangechi Mutu reflects on failure in her studio practice.