Black Birth Matters
Black Matrilineage, Photography, and Representation: Another Way of Knowing, 2022
Edited by Lesly Deschler Canossi and Zoraida Lopez-Diago
Read the 19-page book chapter in PDF format.
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Read an earlier, shorter version on The Ostracon.
In 1951, the Georgia State Department of Public Health and the Association of American Medical Colleges commissioned filmmaker George C. Stoney to create a documentary about childbirth, specifically, the practices of Black lay midwives in the Deep South. Also known as “granny” midwives, these women were trained through apprenticeship and respected healers in their communities. With the help of community liaisons, Stoney met Mrs. Mary Francis Hill Coley (1900–1966), a midwife who is said to have delivered more than 3,000 babies in roughly 30 years. For four months, Stoney followed “Miss Mary” to her patients’ homes, observing her practice and deriving inspiration for his script. Miss Mary would become the star of his film, All My Babies: A Midwife’s Own Story, a bizarre period piece that merges reenactments by a mostly Black cast with midwifery instruction, a live birth, and a hymnal soundtrack.
Top left: “Simone Landrum holding her newborn son Baby Kingston” © LaToya Ruby Frazier. Courtesy the Artist and Gavin Brown’s enterprise, New York / Rome. Top right: “Landrum and her doula, Latona Giwa” © LaToya Ruby Frazier Courtesy the Artist and Gavin Brown’s enterprise, New York / Rome. Bottom left: Film still from All My Babies. Right: Miss Mary Coley in All My Babies.